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Don't let your tears fall on Hezil

Don't let your tears fall on Hezil

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Category
Memory Souvenir Daily Letter Books
Author
Nizar İmret
Stock
0 Piece
Stock code
GORAN009
stock status
Out of stock
Publishers
Goran Publications
Price
0,87 USD + VAT
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0,87 USD
0,70 USD
Product information
  • Hezil, whom the author meets, carries the paradox of both strangling her own children and crying for them. The Southern War also meets with pain, mourning, and the image of a river where brothers kill each other in the Kurdish memory. Author İmret confronts the reader with these events. The trilogy of the relationship between the dead, the murderer and the betrayal is presented to the reader as an experience from which to learn lessons in the future. While doing this, it reminds us of the fact that it is the Kurds who are suffering, as a knowledge of confrontation.
    In a sense, the author integrates the reality of this war, in which he is a guerrilla himself and as a personal witness of the war, with the image of Hezil. Because Hezil is also the image of the transition to Güney. In other words, in the Kurdish terminology, 'free lands' are the other side of Hezil. In another sense, Hezil is described as the price of the road to liberation.
    While the author explains this transition in his novel, he also presents us the fiction of the novel from this perspective. The novel begins with stories of heroes, burned houses, and people exiled from their lands due to 'terrorism'. It begins with the plot of the brother tracking down the sister who was forced to be sent to Istanbul. The tension between Istanbul and the lands it left behind, thanks to Rojda, points to the east-west dilemma and the depression of the novel's hero who is stuck between it. Azad, the novel's character, earns money, falls in love, gets married, finds his Rojda, but he cannot forget the destruction he left in the Kurdish geography. The process that takes Azad to the mountains is based on what his real truth is. On the back cover of the book, Hz. It finds meaning in Jesus' words, "Two loves cannot be together."
    The second part of the novel is devoted to the 'southern' war. In a sense, this should be understood as an imaginary transition that confronts the Turkish-Kurdish conflict, which was created as enemies in these lands at the beginning of the story, with the Kurdish-Kurdish conflict. This war, which the author personally witnessed, is seen as a debt to be paid to his lost comrades. In the preface of the book, he points out that his lost comrades must take their place in Kurdish history. The fact that the novelist constantly highlights his comrades and bless them while telling about the Southern war constitutes the justification for the purpose of writing the novel.
Publisher : Goran Publications
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Sitenizi çok beğeniyorum. Başarılar
S... A... | 29/07/2025
Ömer Aksoy | 25/07/2025
Kovareke giranbiha
O... K... | 30/05/2025
Kürtler için yapılmış güzel şeylerden bir tanesi
M... A... | 16/04/2025
siparişler hızlıca ulaşıyor, kategori çok. beğendim.
A... U... | 05/04/2025
Sizlerden gayet memnunum emeğinize sağlık
M... A... | 12/03/2025
Harikaydı
Serdar KÖMÜRCÜ | 22/01/2025
Gayet pratik ve hoş
Muzaffer Bora | 12/01/2025
Hızlı teslimat sağlandı .çok iyi bir şekilde bantlanmış teşekkürler. Gayet memnunum. Xwedê we bihêle .
A... Y... | 11/01/2025
&ddjmsd
RODEM ÇAÇAN | 06/01/2025
Share Your Experience
Don't let your tears fall on Hezil Hezil, whom the author meets, carries the paradox of both strangling her own children and crying for them. The Southern War also meets with pain, mourning, and the image of a river where brothers kill each other in the Kurdish memory. Author İmret confronts the reader with these events. The trilogy of the relationship between the dead, the murderer and the betrayal is presented to the reader as an experience from which to learn lessons in the future. While doing this, it reminds us of the fact that it is the Kurds who are suffering, as a knowledge of confrontation. In a sense, the author integrates the reality of this war, in which he is a guerrilla himself and as a personal witness of the war, with the image of Hezil. Because Hezil is also the image of the transition to Güney. In other words, in the Kurdish terminology, 'free lands' are the other side of Hezil. In another sense, Hezil is described as the price of the road to liberation. While the author explains this transition in his novel, he also presents us the fiction of the novel from this perspective. The novel begins with stories of heroes, burned houses, and people exiled from their lands due to 'terrorism'. It begins with the story of the brother tracking down the sister who was forced to be sent to Istanbul. The tension between Istanbul and the lands it left behind, thanks to Rojda, points to the east-west dilemma and the depression of the novel's hero who is stuck between it. Azad, the novel's character, earns money, falls in love, gets married, finds his Rojda, but he cannot forget the destruction he left in the Kurdish geography. The process that takes Azad to the mountains is based on what his real truth is. On the back cover of the book, Hz. It finds meaning in Jesus' words, "Two loves cannot be together." The second part of the novel is devoted to the 'southern' war. In a sense, this should be understood as an imaginary transition that confronts the Turkish-Kurdish conflict, which was created as enemies in these lands at the beginning of the story, with the Kurdish-Kurdish conflict. This war, which the author personally witnessed, is seen as a debt to be paid to his lost comrades. In the preface of the book, he points out that his lost comrades must take their place in Kurdish history. The fact that the novelist constantly highlights his comrades and bless them while telling about the Southern war constitutes the justification for the purpose of writing the novel. GORAN009
Don't let your tears fall on Hezil

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