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Kurdish History Magazine 40

Kurdish History Magazine 40

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Kurdish Magazines
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KT0040
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Kurdish History Magazine
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File: Kurdish Cinema

 

Our subject in the 40th issue is Kurdish cinema. Although the historical section is not very strong, this issue contains a comprehensive file on Kurdish cinema. Thanks to Bahar Şimşek, she prepared a very comprehensive and detailed file. It was a good issue about the aspects and products of Kurdish cinema, both well-known and marginal.
As for the articles in the file... Artsvin Bakhchinyan's article titled "Kurds in Soviet Armenian Films" examines how the Kurds were represented in the films shot in Armenia during the USSR period. Yosef Abbasi looks at both the representation of Kurds in Iranian cinema and the contributions of Kurds to Iranian cinema. Mehmet Aktaş's article titled "A Film on Kurdish Cinema" conveys the rich, entertaining and ironic background story of Bîranînên li Ser Kevirî. Hamit Bozarslan's short and striking article titled "Marginality, Ideology and Art: On Yılmaz Güney" examines Southern films through three categories of subjectivity: the marginalized, Kurds and women. In his article "Kurdish Cinema: Şal û Şûtik", Nazmi Kırık tells about both his own adventure in getting involved in cinema and the Kurdish cinema that developed through MKM in the 1990s. Ahmet Gürata's interview with Ali Kemal Çınar focuses on Çınar's cinema adventure and what he understands from cinema. Can Candan also conveys the developing history of Kurdish documentary cinema through the Mesopotamia Cultural Center.
There are also two articles in the file on the old question "What is Kurdish cinema?" and "which films are included in Kurdish cinema?" Özgür Çiçek's articles "Defining Kurdish Cinema" and Suncem Koçer's "Kurdish Cinema as a Genre of Discourse", originally published in English, seek to answer the question of what makes a film from Kurdish cinema.
We also have an article other than the file in this issue. Seid Veroj's detailed analysis focuses on Mehmet Cevdet Karlıdağ, son of Abdullah Cevdet, owner of Seda magazine and head of the Elazığ branch of the Kurdish Teali Society.

Number of pages : 64
Publication Year : 2020
The heart : Turkish
magazine : Kurdish History Magazine
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Kurdish History Magazine 40 File: Kurdish Cinema Our subject in the 40th issue is Kurdish cinema. Although the historical section is not very strong, this issue contains a comprehensive file on Kurdish cinema. Thanks to Bahar Şimşek, she prepared a very comprehensive and detailed file. It was a good issue about the well-known and marginal aspects and products of Kurdish cinema. As for the articles in the file... Artsvin Bakhchinyan's article titled "Kurds in Soviet Armenian Films" examines how the Kurds were represented in the films shot in Armenia during the USSR period. Yosef Abbasi looks at both the representation of Kurds in Iranian cinema and the contributions of Kurds to Iranian cinema. Mehmet Aktaş's article titled "A Film on Kurdish Cinema" conveys the rich, entertaining and ironic background story of Bîranînên li Ser Kevirî. Hamit Bozarslan's short and striking article titled "Marginality, Ideology and Art: On Yılmaz Güney" examines Southern films through three categories of subjectivity: the marginalized, Kurds and women. In his article "Kurdish Cinema: Şal û Şûtik", Nazmi Kırık tells about both his own adventure in getting involved in cinema and the Kurdish cinema that developed through MKM in the 1990s. Ahmet Gürata's interview with Ali Kemal Çınar focuses on Çınar's cinema adventure and what he understands from cinema. Can Candan also conveys the history of Kurdish documentary cinema developing through the Mesopotamia Cultural Center. There are also two articles in the file on the ancient questions "What is Kurdish cinema?" and "which films are included in Kurdish cinema?" Özgür Çiçek's articles "Defining Kurdish Cinema" and Suncem Koçer's "Kurdish Cinema as a Genre of Discourse", originally published in English, seek to answer the question of what makes a film a Kurdish cinema. We also have an article outside the file in this issue. Seid Veroj's detailed analysis focuses on Mehmet Cevdet Karlıdağ, son of Abdullah Cevdet, owner of Seda magazine and head of the Elazığ branch of the Kurdish Teali Society. KT0040 Kurdish History Magazine 40

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