Women's Lodge

"The gardener had opened the two wings of the iron gate; the island-style car with wicker fenders and an awning on the top suddenly bent inwards; the door could not be opened for rental cars. However, the coachman, who saw that the Princess had come half way in the garden, out of respect for her guest, stopped the car right at the landlady's level.

Here is the Sheikh! He was a tall, stylish man with a pointed beard, a large overcoat with snowflake on his back, and a gray fedora hat on his head... He immediately jumped out of the car with a youthful movement; He ran with his hat in his hand, bowed gracefully and respectfully kissed the Princess's hand, the way he had seen it in the movies and liked it." - Refik Halid Karay

Refik Halid Karay, who draws our attention with his mastery of literary expression in Women's Lodge to a phenomenon that has been discussed a lot since the first years of the Republic period, has been exploited from time to time, has been banned, but has continued to exist until today, makes us think about "love" and "being in love" with the theme of the novel. .

About the Author: Refik Halid, who was born in 1888 in Beylerbeyi as the son of Serveznedar Mehmed Halid, is from the Crimean Giray family on his mother's side; His father's side is from the Karakayış family, a branch of which migrated from Mudurnu to Istanbul in the late 18th century. The writer, who studied at "Galatasaray Sultanisi" and "Mekteb-i Hukuk", started journalism during the Constitutional Monarchy. He quickly became famous with his satirical writings and became one of the founders of the "Fecri Âti" literary group. As a result of the satires and political articles he wrote under the name "Hedgehog", he was exiled for five years in various provinces of Anatolia by the Union and Progress government, but was able to return to Istanbul in the last year of World War I. Upon his return, Refik Halid worked as a teacher at Robert College, as editor-in-chief of Sabah newspaper, and as General Manager of Post-Telegraph twice, and during this period he published the humor magazine "Aydede".

The writer, who had to leave the country due to his political writings and views, settled in Aleppo and contributed to connecting Hatay to Turkey with his articles and works in the "Vahdet" newspaper he published. Refik Halid, who returned home in 1938, wrote daily articles in magazines and newspapers and wrote about 20 novels.

Refik Halid, who carries the time period from the Constitutional Monarchy to the Republic in his works of different genres with his strong observation ability and the richness of his language, describes the reality of Anatolia in Homeland Stories; In his works such as Homeland Stories and Exile, he brought together deep longing for his homeland with literature. In the author's humorous works such as Ago Pasha's Memoirs and What the Hedgehog Said; In his chronicles such as A Fistful of Nonsense and Woman with Make-up; In his memoirs titled Minelbab İlelmihrab and A Lifetime, his versatile and colorful narration enables him to illustrate the social-political environment. In his novels such as Anahtar, Nilgün, Two-Body Woman, Lover of 2000 Years, and Today's Palacelisi, he combines his descriptive talent and creativity in gripping fictions, and deals with individual relationships in general and male-female relationships in particular, in depth in space-time dimensions, and focuses on the periods and places in which the novels are set. It enriches its narrative by including fine details.

Writer Refik Halid, who died in Istanbul on 18.7.1965, is one of the most powerful names in Turkish literature with the sharpness of his opposition pen, clean Istanbul Turkish, colorful narrative, power of description and creativity.



Number of Pages: 702

Year of Printing: 2010


Language: Turkish
Publisher: İnkılap Kitabevi

First Printing Year: 2010

Language: Turkish